do you ever look at people just and really really really want to be their friend
50 Favorite Films In Gifs - The Princess Bride (1987)
Life is pain, Highness. Anyone who says differently is selling something.
Rose is open, honest, heartfelt, to the point of being selfish, wonderfully selfish. Martha is clever, calm, but rarely says what she’s really thinking. Donna is blunt, precise, unfiltered, but with a big heart beneath all the banter. […] If Rose can be selfish, then her finest moments will come when she’s selfless. If Martha keeps quiet, then her moments of revelation — like her goodbye to the Doctor — make her fly. Donna is magnificently self-centred — not selfish, but she pivots everything around herself, as we all do — so when she opens up and hears the Ood song, or begs for Caecilius’ family to be saved, then she’s wonderful.
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| — | Russell T. Davies, The Writer’s Tale (via doctormaster) |
have you ever been reading something and completely understood a line of foreshadowing and just whispered “shit”
Kirsty Mitchell’s late mother Maureen was an English teacher who spent her life inspiring generations of children with imaginative stories and plays. Following Maureen’s death from a brain tumour in 2008, Kirsty channelled her grief into her passion for photography.
She retreated behind the lens of her camera and created Wonderland, an ethereal fantasy world. The photographic series began as a small summer project but grew into an inspirational creative journey.
‘Real life became a difficult place to deal with, and I found myself retreating further into an alternative existence through the portal of my camera,’ said the artist. (read the rest here).
‘The hovering sculptures by Thomas Jackson’s photographs are inspired by self-organizing, ‘emergent’ systems in nature such as termite mounds, swarming locusts, schooling fish and flocking birds.
The images attempt to tap the mixture of fear and fascination that those phenomena tend to evoke, while creating an uneasy interplay between the natural and the manufactured and the real and the imaginary.’
